
Reviews for extended run of Neil LaBute's smash
hit Fat Pig which played to standing room
only crowds at the Studio Theatre in Washington, D.C. (Jan - April
2006):
“Especially entertaining in the office scenes
[which are] played to the callous hilt by Jason Odell
Williams … Williams exhibits a refined feel for despicability…
he’s male arrogance incarnate.”
- Peter Marks, The Washington Post
“Jason Odell Williams knocks off one
liners with aplomb, but is really at his best when he reveals
just a touch of inner angst as his character discusses
his relationship with his overweight mother.”
- PotomacStages.com
“Williams is spectacular as
the requisite jerk.”
- Metro Weekly
“Jason Odell Williams makes a wonderful
Eddie Haskell-like friend in Carter.”
- Curtainup.com
“...played by Mr. Williams as a supremely
sardonic jerk who is nonetheless compulsively watchable….
FOUR STARS!”
- Jane Blanchard, The Washington Times
Reviews for Himself
at The Daryl Roth 2 Theatre (Off-Broadway, Jan - Feb 2003)
“Played by Jason Odell Williams with
earnest energy leavened by bone-deep anxiety...
Sean is a decently written role and Williams makes much
of him.”
- TheaterMania.com

Reviews for Heritage Repertory Theatre (Charlottesville, VA - 2002
& 2003)
As “Hal” in David Auburn’s
Proof:
“Williams is splendid
in the ever changing skin of Hal...”
- The Observer
“[Williams and Dandridge] are very
good together. Williams’ Hal is likable
and convincing.... well worth seeing.... a superb show.”
- The Daily Progress
As “Adam” in Alan Ayckbourn’s
Comic Potential:
“The scenes with Jason Odell Williams
are a total delight.”
- The Observer
“Jason Odell Williams, as Adam, the
young man who falls in love with the actoid, is very funny
and very believable in unbelievable situations. Just
as they did in the much more serious Proof,
Williams and Dandridge make a terrific team.
There’s something earnest and naive about Williams and he
and Dandrige know how to play off of each other’s
strengths.... It would be pretty much impossible to walk
out of this production without having laughed heartily, more than
once.”
- The Daily Progress
As “Joe” in Alfred Uhry’s
The Last Night of Ballyhoo:
“Williams is once again fully in character
and fully believable; he is a talent to keep an eye on.”
- The Daily Progress

On Jason’s portrayal of the title role in Hamlet
at The University of Virginia:
“Williams is a tempest of energy
and creativity.... his portrayal is infused with passion,
wit and adrenaline... he walks on the edge of chaos without falling
in, and the result is an attractively impetuous and mercurial
Hamlet.”
- The Daily Progress
“I’ve seen upwards of ten Hamlets
in my lifetime, many by professionals, and Mr. Williams’
was, by far and way, the most astonishing performance
I have ever seen.”
- John Van Meter, Head of Theatre Dept., McDonogh School (quoted
in The UVA Alumni Magazine)
“...the actor who gives the most remarkable
performance is Williams as the young and confused Hamlet.
His extraordinary emotional output will make viewers believe that
Shakespeare wrote the part with Williams in mind....
his intense emotion will hold everyone enthralled, as he manages
to jump from wrenching agony to witty, biting sarcasm.... Williams
delivers a superb performance... a rousing and monumental success.”
- The Cavalier Daily
“...Jason's Hamlet was one of
the best Shakespearean performances I've seen on any
level, including professional... Clear, clean and passionate...
His performance was literally stunning. ”
- Doug
Grissom, playwright

Quotes about Jason’s screenplay, By
the Book:
“Jason is a terrific writer.
This is a very engaging script with a great concept!”
- Julie
Lynn, producer, Mockingbird Pictures ('Wit,' (w/ Emma Thompson),
'Nine Lives' (w/ Glenn Close), 'Passengers' (w/ Anne Hathaway
and Patrick Wilson)
“Brilliant… a full-fledged
page-turner! Unique and compelling. The best script we’ve
read in years. Visually absorbing, haunting and mysterious.”
- Garrett Hauenstein, producer, Sombrero Pictures
“The conceit as a whole is fantastic;
one of the most imaginative engagements of that
burgeoning subgenre concerning suburban disaffection. Through its
otherworldly and unsettlingly plasticized story world, it conveys
more about man's relationship with god and society than most of
the mannered dramas on the subject. The characters have distinct
arcs and rich relationships despite the economical
use of dialogue and the pace is pitch perfect to
the mysteries behind the plot. The initial uncomfortable silences
are indeed golden. Dan’s investigation of
his mobius strip neighborhood is hilarious, all the while speaking
volumes about his character and of our natural propensity for scientific
curiosity. ….an excellent metaphorical engagement of social
and religious themes, with an aesthetic that is equal parts
Burton, Lynch, and Guy Madin.”
- Quentin Little, producer, HDNet
films
“This script is fantastic! Beautifully
written with well-drawn characters. Entertaining and smart.”
- Billy Shebar, screenwriter, 'Dark
Matter'
(starring Meryl Streep & Aidan Quinn)
|